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The original floorplan. The homeowner-built white colonial vanities, sheet vinyl floor and white trim were completely out of character for the house. A laundry chute had been closed in by the vanities and was no longer usable.
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The final floorplan. The tub has been moved to a little used second bedroom closet. The extra depth of the closet was put to good use to provide a toiletry shelf next to the tub and make the tub/shower space larger and less confining. The vanities have been moved to the east wall which permitted us to turn the toilet 90% back to its original orientation. The half wall at the side of the toilet blocks the view of the toilet from the bathroom door.
The Torii Wall Lamp by George Kovacs is one of the Asian influences incorporated into the design.
Arts & Crafts interior design emphasized lots of light, open spaces, the use of natural materials and plain, uncomplicated furnishings and mouldings. Color schemes kept the subtle earth tones of the Victorian era but in a more monochromatic palette as opposed to the kaleidoscope of contrasting colors in the Victorian home. Wall paper was typically discouraged and wall colors were often not only specified by the architect, but often added to the final coat of plaster rather than painted on.
An early design that works around the large window by placing the vanities beside the window. Low cabinets directly under the window provide additional storage and counter space. The owners did not like the wall cabinets, and did not feel the design provided enough storage.
The walls were banded in wood, often at several heights: at the ceiling, above and below the windows and at the base of the wall — a feature unabashedly borrowed from the traditional Japanese house. The banding gave the house a distinct horizontal aspect, visually enlarging it (and discouraging hanging pictures — most Arts & Crafts designers thought pictures were an unnecessary adornment to an already perfectly decorated house).
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Almost the final design. The vanity is lowered to fit under the window. Vessel sinks raise the working height of the vanity to the needed 37" without blocking the window. The floor-to ceiling cabinets on each side of the vanity provide scads of storage and access to a laundry chute and an internal electrical outlet for hair driers, etc. Photo-realistic views like this one helped the owners see exactly what the finished bathroom would look like before any work was begun.
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Rift-sawn oak is very straight-grained oak without the "flakes" or "flecks" seen in quarter-sawn oak. Usually only four rift boards are cut from each log, so the wood is fairly rare and usually more expensive the quarter-sawn or plain-sawn oak.
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"Oregano Sand" by LG was the solid surfacing material selected for the countertop, shower shelf and half wall cap.
True plaster has a very hard surface with a sheen and texture not found in gypsum drywall. The horizontal chair rail capping the tile wainscot is typical of the Arts & Crafts period.
The lower part of the wall was covered in tile to form a 48" wainscot. To soften the look of the tile and enhance the horizontal aspect of the room, the tile was capped with an oak chair rail. The oak panel under the vanity hides the plumbing. It is attached with Velcro™ and can be easily removed for service and repair. The owners thought they could get along without a vanity mirror, but changed their mind after the first two weeks. So we attached a swing-out barber shop mirror to the right cabinet. It is just visible in this photo at top center.
The room still had its original true plaster walls, so we did not have to go through any of the elaborate processes required to make modern gypsum board look like real plaster. Wet plaster is not usually perfectly flat and has a sheen and texture not seen with drywall — hence the laborious techniques such as Venetian Plastering to give plain drywall a little more character.
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The shower was fitted with a "rain tower" that features six massaging spray sand a hand shower. A 8" shelf at the back of the shower provides a place to set soap, shampoo, body gels and other toiletries useful to have handy while showering; and adds extra elbow room to the shower. The wall above the tile was triple coated in Sherwin-Williams Hubbard Squash in a formula designed for wet areas like bathrooms.
The toilet alcove. Hidden from the door by a half wall, the toilet sits in its own private space with its own recessed lighting. The 48" half wall provides a backstop for the granite-topped chest we made to complement this bath. It is actually built in, but looks like a piece of furniture.
The first thing we did to the plumbing was to remove the old galvanized steel pipes and replace them with PEX tubing. PEX is the material quickly replacing copper piping in most plumbing updates. It is stronger, cheaper, and less costly to install, and less likely to freeze than copper. Because the shower would need a lot of pressure, we used 3/4" piping rather than the 1/2" that is standard for bathroom to feed the shower. This provides double the usual volume of water so sudden loss of water pressure in the shower when someone flushes is not a problem in this bathroom.
The Broan fan/light is energy efficient, powerful, and very quiet.
A few years ago, building codes did not require power ventilation unless a bathroom did not have a window. Eventually it occurred to the building code writers that with most houses being air-conditioned, no on actually opens the bathroom window any more. Now all baths are required to be power ventilated. The amount of ventilation is determined by the size of the room, and must be carefully calculated. Too much ventilation is just as bad as too little.

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The palette from left to right: Tile, Ruskin Room Green, Hubbard Squash, Brown oak with a red overwash, and LG Oregano Sand solid surfacing.